![]() When accepting credit cards, you should be aware of fees from your payment processor (payment processing fees), card network (assessment fees) and card issuer (interchange fees). Credit card processing fees and how they workįees for accepting credit cards can differ from business to business based on industry, location, type of card and number of transactions. To accept credit cards, you’ll need to set up a merchant account for your business, with the exact type depending on whether you need it for retail, mobile or e-commerce. But how much money will you have to account for in credit card processing fees? And how do the different fees measure up? We’ll walk you through the basic fees for credit cards and offer some tips along the way. You will need to monitor the monthly fees to determine which payment forms are sustainable for your business to accept. However, when choosing a credit card processing provider, you need to also understand the credit card fees they charge so you can get the best possible deal.Įditor’s note: Looking for the right credit card processor for your business? Fill out the below questionnaire to have our vendor partners contact you about your needs.Ĭredit card fees can depend on several factors, including required and negotiable costs through the payment processor, card network, and card issuer. While it may be a no-brainer to accept credit cards as a form of payment, selecting a payment processing service can be overwhelming, especially since there are so many credit card processing fees to understand. It is essential to choose a processing services provider that can take multiple forms of payment (Visa, Mastercard, Discover, American Express, PayPal, etc.) and keep your customers’ information secure. To sustain a healthy cash flow, most merchants need to allow customers to use credit cards. This article is for merchants who would like to accept credit and debit cards as a form of payment for sales transactions.You can reduce your credit card processing fees by setting a minimum transaction amount, minimizing chargebacks and increasing in-person transactions.Your merchant category code can determine your interchange fee rate.There are three main credit card processing fees to look out for when accepting credit cards: payment processing, assessment and interchange fees.Oracle Inventory provides transaction reporting and querying capabilities by transaction type. Assembly return Transaction Source Types.Therefore, when you create a user-defined transaction type, you can only choose one of the following transaction actions and transaction source types : You must specify a transaction type when you perform a miscellaneous receipt or issue, a subinventory transfer, a WIP transaction, or an inter-organization transfer. ![]() You would also specify the actual charity to which you are issuing, such as Goodwill, and the expense account that specifies the source (Goodwill). You would then use the Miscellaneous Transactions window to actually issue an item to charity, using the "Issue to Charity" transaction type. In this case, the transaction action would be Issue from Stores. For example, if you frequently donate items to charity, you might want to define a transaction source type called "Charity" and a transaction type called "Issue to Charity". A user-defined transaction type is a combination of a user-defined transaction source type and a predefined transaction action. Use the Transaction Types window to define additional transaction types to customize transaction entry. Internal order direct organization transfer Transaction Types Transaction Actions Transaction Oracle Inventory provides these predefined transaction types: Oracle Inventory also uses transaction types to identify certain transactions to include in historical usage calculations for ABC analysis or forecasting. It is used to classify a particular transaction for reporting and querying purposes. Transaction Types (Oracle Inventory Help)Ī transaction type is the combination of a transaction source type and a transaction action.
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Shadowed by the death of her mother, Julie Kumagai's life with her widower father is marked by pained, turbulent exchanges. ![]() (40 mins) MY NIAGARA - Grasping the texture of half-expressed desire, this beautifully drawn drama evokes the complex dislocations of an Asian American woman. A provocative and stylish meditation on Asian femininity. Offscreen women's voices and scenes from THE WORLD OF SUZIE WONG parallel and counterpoint Sally's own interracial relationships and emerging self-awareness. (12 mins) SALLY'S BEAUTY SPOT - A large black mole above an Asian woman's breast serves as a metaphor for cultural and racial difference in this engaging experimental film. ![]() This compilation includes SALLY’S BEAUTY SPOT (1990), MY NIAGARA (1992) and SUBROSA (2000). Helen Lee’s internationally acclaimed short films are now available for purchase in a 3-DVD set. Her films are distributed by Women Make Movies (US), Arsenal (Germany), Indiestory (Korea), CFMDC and CFC Features (Canada). Selected Filmography: PARIS TO PYONGYANG (2023), INTO SUCH ASSEMBLY (2019), HERS AT LAST (2008), THE ART OF WOO (2001, feature film), SUBROSA (2000), PREY (1995), MY NIAGARA (1992), SALLY’S BEAUTY SPOT (1990). Published articles include: "A Peculiar Sensation: A Personal Genealogy of Korean American Women’s Cinema," published in Dangerous Women: Gender and Korean Nationalism (Routledge), excerpted in Cineaste and reprinted in Screening Asian Americans (Rutgers University Press) and a conversation with Celine Parreñas Shimizu, entitled "Sex Acts: Two Meditations on Race and Sexuality," appears in Signs: Journal of Women in Culture and Society. She is a member of the Directors Guild of Canada and Writers Guild of Canada. She has taught screenwriting and directing at Queen’s University, Korea National University of Arts, Yonsei University and OCAD University. Helen is a graduate of University of Toronto (BA), New York University (MA), Whitney Independent Study Program, Canadian Film Centre’s Director Resident Program, and York University (MFA). SALLY’S BEAUTY SPOT (1990) is her first film and is widely taught in Asian American, Film, and Gender and Women’s Studies programs. ![]() Her works address diasporic gendered subjectivities in cinema, encompassing feminist and transnational perspectives. Helen Lee is an independent filmmaker based in Toronto and Seoul whose narrative and experimental films explore intersectionalities of place, identity and sexuality. Brimming with surreal, breathtaking, elegiac imagery, this sensuously rendered tale of loss, love and longing resonates long after its shocking conclusion. Originally shot on digital video, the film captures the grit and garishness of an alien urban landscape while plumbing the melancholy dream space where the character retreats even as she searches for her very life. ![]() Though her path to self-destruction and ultimate self-revelation ironically and tragically mirrors that of her imagined biological mother, the past remains elusive to her, the secret intact. army camp town and the bustling flower markets of Seoul. SUBROSA tracks the unnamed heroine from a sterile adoption agency office to seedy bars and motel rooms on neon strips, then to a stark U.S. This exquisitely crafted drama probes the idealized, often false constructions of cultural and maternal identities wrought by the adoptee's return. SUBROSA traces a young woman's journey to Korea, the land of her birth, to find the mother she's never known. Keep in mind that the frame rate for these clips will vary depending on how much lighting is present, so you may need to adjust playback speeds in post-production for visual consistency if you plan to use your Live Photos in a video clip. Add dazzling effects, filters, and colors that help bring your image to life. Splice in other footage you may have - like videos from a recent trip - to create a cohesive narrative. Open Premiere Pro, and drag and drop your clips into it. Hold the Option key down, then drag and drop to a new Finder window to save them to your desktop.Ĥ. You’ll see two files for each Live Photo you transfer, one image (.HEIC) and one video file (.MOV).ģ. Select the live pictures you want to bring into Premiere Pro. Access iCloud through the Photos app on a Mac or download iCloud Photos for Windows via Apple’s support site or .Ģ. If you use a Mac, don’t use Airdrop to transfer them over, as you’ll only get the static image files of your photos. Whether it’s live images of people walking in a crowded city, rolling waves on the beach, other B-roll–style clips, or a short clip of your subject, you can add Live Photo videos to longer video projects. This gives you the power to refine and polish your freshly minted footage and combine it with other video you might have. You can also transform Live Photos with Adobe Premiere Pro on your desktop. If you previously did not have animated content, the folder will be automatically created when you save the clip. Once you choose your effects and save your video file, you can find it in the Animation folder in the Photos app. Bounce, on the other hand, plays the clip forward and backward continuously, similar to a Boomerang video on Instagram. Loop repeatedly plays the animation of your photo for a set period. Just click the share icon and scroll down to the Save as Video option. You can also convert the Live Photo to a video clip in the Share menu. Two effects in particular, Bounce and Loop, will animate your capture. Then swipe up on the photo to access the Effects menu. Open the image you want to convert in the iOS Photos app. This method has one critical difference - you transform your images into a clip. The video is a copy that retains the quality of the original photo, and the source image will remain unchanged.Įven if your software isn’t up to date, as long as your mobile device has iOS 11, you can still change live pictures to video. No need to worry about the conversion process. You’d think it’d just append a “1” or something onto the first file, but…well, you’d be wrong.Afterward, you will see a new video of your Live Photo in your Recents album. In my testing, exporting once as “Loop” and then again as “Bounce” resulted in the first export being replaced when the second one was created, without a warning dialog or anything. One caveat, though: If you choose the same location for both exports, be sure to go and rename the first GIF you create before you make the second. Depending on what you were going for, you might enjoy exporting your image both ways to see which you prefer. After you do so, you’ll see the familiar open/save dialog box, from which you can select where to put your new GIF.Ĭlick “Export,” and you’re done! Your GIF will be animated with whichever effect you picked, meaning it’ll either loop or will look all…uh…bouncy. Once you’ve made your selection, click “Done” at the top of the window, and then as I mentioned, you’ll choose File > Export > Export GIF. Either “Loop” or “Bounce” will work for our purposes if you choose “Live” or “Long Exposure” from this menu, then the “Export GIF” choice will be greyed out. Then use the drop-down at the bottom of the window to change the effect. To do so, you’ll start by opening the Live Photo you’d like to convert you can tell that an image is a Live Photo by double-clicking to open it then looking for the little icon at the top-left of your Photos window.Īlternatively, one way to see all of your Live Photos together is to pick that option from the View > Albums > Media Types menu.Īnyway, once you’ve double-clicked to open your Live Photo, click on the “Edit” button. What you have to do is change the effect your Live Photo is using first, as I’ve described before. The way to actually get this to work, though, isn’t all that obvious. The power lies within Photos’ “File” menu, under Export > Export GIF. The Mac’s Photos program has a nifty new-ish way that you can export Live Photos as animated GIFs, so if that’s your thing…well, now you can do that thing. Advice is prominent in this work as he encourages the reader to live their life to the fullest and reach their potential because he knows they are capable of accomplishing great things Self-love, however, is taught and emphasized in one of Drake’s latest collections, “Moon Theory,” published in 2017. He notes how he has attempted to self-destruct because of the madness of being in love, which clearly shows the crazy toll love can have on a person. Moreover, self-love and self-destruction exist in some of Drake’s books, and both of these themes shine in his writing. Drake’s books are available on his website, along with several posters and prints. Loneliness is also a prominent subject with words that describe the pain he feels from losing a girl, how much he misses her and how badly he wishes he could have her. People can sympathize and empathize with Drake and his experiences with love, and they might even take some advice from him on what to do about it all. Love is a huge theme in all of his books, whether he is discussing being in love or experiencing heartbreak. For example, poem about dogs in “Science” and a poem titled “Robin Williams” in “Black Butterfly.” In “Beautiful Chaos,” he uses a fascinating technique, incorporating what he calls “Little Notes” at numerous times throughout the book.Īt first, I thought these were just poems he didn’t have titles for, but I realized that many of the notes were aimed at the reader, telling them life lessons like in “Little Note: 12,” when Drake states: “Let your love flow where the beautiful things are and something beautiful will always come your way.” Some of his books are quite interesting because he sometimes throws in a poem about unexpected topics. You could even say that his poems are more authentic than the work of other modern writers, making his pieces a must-read for all. Surely, it’s because they see themselves in his writing, which allows them to see that they are not alone in their thoughts and feelings. The topics that Drake covers in his books are relatable in various instances, and it seems that teenagers and young adults are particularly attracted to his words. Another excerpt he admires is: “The best kind of humans are the ones who stay.” I think everyone can agree with that one. He mentioned in his interview that one of his favorite lines is: “Maybe all that we are is what people expect us to be,” which he repeats in a few of his books. Drake posts regularly on Instagram, often featuring photos fans have shared with him. Either way, reading them in multiple books makes the audience analyze its meaning a bit more and maybe even relate to them personally. Some of the lines in his books have been previously published in his other books, and while I’m not exactly sure of the reason, my best guess would be that those lines are special in some way or he believes everyone needs to read those lines regardless of which of his books they choose to read. Sometimes I take tragic events and I make them beautiful in a literal way.” He describes his writing as “things that I feel, little stories that I have in my head, moments that I think are unexplored. ![]() In 2014, he self-published his first two books: “Science: The Stars in Me are the Stars in You” and “Beautiful Chaos.” Since then, he has written many more poetry collections on subjects like love and loneliness to life lessons and more. To date, he has around 1.8 million followers. ![]() In an interview with Fusion Media, Drake said that his Instagram took off when actress Sophia Bush and one of the Kardashians began sharing his work. His poetry is simply his feelings and thoughts put into short sentences and brief passages, making his books easy to read and understand.ĭrake, who is better known as RM Drake, became the most famous Instagram poet as he used the social media app as a platform for his writing. He doesn’t stick to the cheap rhyme and constricted form like some poets, and he doesn’t even create spoken-word pieces like many contemporary poets do now. Drake uses modern methods to create his own poetry. Poetry is a beautiful form of expression, and Robert M. Retrieved October 15, 2013, from NerdSpan. ^ NYCC Archie Comics Shocker: Farewell, Betty and Veronica.^ Official Betty & Veronica blog" Archived July 22, 2008, at the Wayback Machine.^ Review at mediabistro Archived October 10, 2008, at the Wayback Machine.^ Introduction to comic cover with "new look" Archived June 10, 2008, at the Wayback Machine.^ "Ask the Archivist - Cheryl Blossom". ![]() ^ "Own Cheryl Blossom's First Appearance from ComicConnect".^ "GCD :: Series :: Archie's Girls Betty and Veronica".^ "GCD :: Series :: Archie's Girls, Betty and Veronica Annual".Betty and Veronica take opposing viewpoints over the issue. The series focuses on Pops’ Chocklit Shoppe being taken over by a huge coffee company owned by Veronica's father. Volume 3 (2016–2017) Story īetty and Veronica was relaunched in 2016 as one of the New Riverdale titles. The six-issue arc, titled Farewell to Betty and Veronica, was published from November 2014 to August 2015 through issues #272-277. Īt New York Comic Con in 2013, Archie Comics announced that Betty and Veronica would leave Riverdale in Farewell, Betty and Veronica written by Michael Uslan with art by Dan Parent, and that two new female characters would replace them. ![]() ![]() In 2007, a new realistic look for the characters was experimented with but by 2008 the characters had reverted to their traditional appearances. On occasion, stories will delve into more serious subjects such as divorce or cheating. Most stories usually feature the two young women as they fight for Archie's affections. Stories center around the daily life in Riverdale, which includes school, sports, part-time jobs, and romance.
![]() Purchasing a decal does not guarantee you a parking space. II TYPES OF PARKING DECALSĪll vehicles parked on campus must display a valid University parking decal. THE UNIVERSITY IS NOT RESPONSIBLE FOR DAMAGE TO VEHICLES WHILE PARKED ON VIRGINIA STATE UNIVERSITY PROPERTY. This document further provides information relevant to guests of faculty, staff, and students. However, all parking violations may be appealed directly to the University Parking Appeals Committee (See Section XII, Appeal Procedures, of this document), within five (5) days of the violation. The University Parking Committee shall be the final authority on matters of parking policy as it relates to parking on the campus of Virginia State University. Requests for special parking needs which are not discussed herein should be directed to the AVP for Public Safety/Chief of Police for assessment based on merit and space availability. The parking program of the University operates as an Auxiliary Enterprise and fees have been developed to support all costs associated with the program’s administration. The Committee reserves the right to amend this document and publish any changes to these regulations that it deems are in the best interest of public safety and security and comply with the rules and regulations mandated by the Commonwealth of Virginia and the Virginia State University Board of Visitors. Additional parking information is available to VSU students in the Student Handbook, issued by the Office of Student Conduct. All affected parties should carefully read this document and become familiar with its contents. These procedures and regulations complement other published University documents. ![]() These procedures and regulations replace all previously published University parking procedures and regulations and remain in effect until revised or rescinded by the University Parking Committee. The official motor vehicle rules and regulations of Virginia State University outlined in this document, supplements, but do not supersede, regulations established by the Division of Motor Vehicles of the Commonwealth of Virginia. Failure to adhere to these regulations as well as the laws of the Commonwealth of Virginia, may result in a warning or citation and the loss of parking privileges on the campus of Virginia State University. This privilege is extended to faculty, staff, students and authorized visitors to the campus. The operation of motor vehicles on the campus of Virginia State University is a privilege granted by the University. VSU Police Officers and Security Officers, as designated, are authorized to enforce these procedures and regulations in the interest of the safety of individuals and property. All University roads and grounds come under the jurisdiction of procedures and regulations set forth in this policy. For the purpose of these regulations, motor vehicles include all self-propelled vehicles, which may or may not require state licenses. They apply to all individuals who operate motor vehicles on Virginia State University (VSU) campus. The University Parking Committee has developed the motor vehicle rules and regulations. He will also revive Ted Huffman’s production of Monteverdi’s L’incoronazione di Poppea singing the role of Nerone under the direction of Leonardo Garcia Alarcon (Opéra Royal de Versailles) before interpretating the title role in Handel’s Serse staged by Clarac & Deloeuil and conducted by David Bates (Opéra de Rouen Normandie). Jake will open the 2022/23 season singing the role of Erissena in Leonardo Vinci’s Alessandro nell’Indie in a production staged by Max Emanuel Cencic (Bayreuth Baroque Opera Festival). Most recently he performed Olga Neuwirth’s Hommage à Klaus Nomi along with the Ensemble intercontemporain (Philharmonie in Paris and Cité de la Musique in Strasbourg). On the concert platform, Jake has displayed a similarly remarkable versatility, from Ernesto in Vinci’s Gismondo, re di Polonia (Vienna, Moscow, Dortmund and Bayreuth), Contre-ténors with Il Pomo d’Oro (Sablé and Nice) and From Soul to Soul with the Pera Ensemble (Heidelberg and Cologne), to Pergolesi’s Stabat Mater under Ivor Bolton, or the premieres of Hilda Paredes’ Canciones Lunáticas and Sciarrino’s Cosa Resta with the Arditti Quartet in numerous other venues on both sides of the Atlantic. Romantic and modern roles include Hänsel in Humperdinck’s Hänsel und Gretel (Wiener Kammeroper), Voice of Apollo in Death in Venice (Stuttgart and Opéra National du Rhin), Prince Gogo in Ligeti’s Le grand macabre (Essen), and SUM by Max Richter and Wayne McGregor, premiered at the Royal Opera House’s Linbury Theatre in 2012. Jake most recently sung the title-role in Robert Carsen’s production of Handel’s Rinaldo for Glyndebourne, as well as the title-role in Corselli’s Achille in Sciro conducted by Ivor Bolton and directed by Mariame Clément at the Teatro Real Madrid. ![]() He sung David in Handel´s Saul, a role debut in a new production directed by Claus Guth and conducted by Laurence Cummings (Theater an der Wien). ![]() His extended vocal range has also seen him encompass such roles as Amore (Theater an der Wien and Zürich Opera) and Nerone in Monteverdi’s L’incoronazione di Poppea (Pinchgut Opera Sydney and Festival d’Aix-en-Provence), as well as Nerone in Agrippina (Theater an der Wien and Göttingen Handel Festival). His “… show-stealing riches of vocal colour and stage presence” (Daily Telegraph) have already brought him widespread critical and public acclaim, not only in such baroque virtuoso warhorses as Handel’s Rinaldo (title-role at Bolshoi Theatre, Moscow), Serse (title-role at Longborough Festival Opera), Riccardo Primo (title-role at the London Handel Festival), Sesto in Giulio Cesare (Teatro Colón and Theater an der Wien), but also in such rarities as Emone in Traetta’s Antigone (Wiener Kammeroper), Euripilo/La Discordia/Polluce in Cavalli’s Elena (Festival d’Aix en Provence, Lille and Lisbon), and Apollo in Legrenzi’s La Divisione del Mondo with Christophe Rousset and Les Talens Lyriques (Strasbourg, Mulhouse, Colmar, Nancy, Versailles and Köln). Already a professional singer at the age of eleven, when he sang Yniold in Pelléas et Mélisande for Glyndebourne Festival Opera, and in several productions at ENO, Jake Arditti has had a meteoric rise to fame since his prize-winning performance at the 2012 Innsbruck Baroque Singing Competition. The actor was seen in public with model Gigi Hadid, who at 27 and 20 years younger than DiCaprio, would be the oldest person he's dated. Want a daily wrap-up of all the news and commentary Salon has to offer? Subscribe to our morning newsletter, Crash Course.Īllegedly, DiCaprio's latest relationship may break his streak by two years. Is dating generations younger a misogynistic quality, indicating contempt or a lack of respect? It's troubling that such a striking pattern echoes in DiCaprio's career choices, where he has been called out for his history of working only with male directors. DiCaprio hasn't worked with a female director since 1995. What else happened in 1995? DiCaprio was 21, a year younger than the average age of his girlfriends. If you're not established in your career or even your identity as a very young person, it may be difficult to hold your own in a relationship with a much older and more powerful (richer and more connected) one.įailure to find a remotely age-appropriate partner may signal a lack of maturity on DiCaprio's part, a desperation to hold on to his youthful, glory days like pants that are no longer in style, but it may also indicate deeper issues at work. Compare that power imbalance to DiCaprio's contemporary, Keanu Reeves, who is in a long-term relationship with Alexandra Grant , a woman not only closer to his age, but with her own noted career as a visual artist. By their much younger age alone, they are less accomplished they have had less time on this earth. Who has it? Who is holding it over the other person? Power may matter more than years.ĭid Wilde, the director, have power over Styles, the performer? Or, would their comparable renown make them more equals? Along with dating significantly younger women, DiCaprio also dates women not as famous as him. It is somehow more shocking for some people when an older woman dates a younger man, when the only shocking thing about any of these relationships might be power. What age difference is too much, too disturbing? And why? Recently, actor and director Olivia Wilde and musician turned actor Harry Styles turned heads with their romance, which allegedly started on set of Wilde's now-infamous film " Don't Worry Darling." A decade separates the two, but so do pre-conceived notions of gender and double standards. Such a striking pattern echoes in DiCaprio's career choices, where he has been called out for his history of working only with male directors. One Twitter user wrote, "3 things are certain in life: - death - taxes - leonardo dicaprio breaking up with his girlfriend before her pre-frontal cortex has fully developed." ![]() Social media posts and memes about DiCaprio's preference for dating women barely old enough to rent a car quickly went viral. Specifically, we can't stop laughing about it. But it's the repetition that seems significant here, as does the fact that we can't stop taking about it. The average age of a DiCaprio girlfriend is 22.9.Īnyone can fall in love with anyone, and certainly relationships with a large age gap can and do work. This pattern is so striking, a user on Reddit came up with a now-viral chart of DiCaprio's relationships, graphing his girlfriends over the past two decades. But only a few months later, the relationship was over. ![]() ![]() They were "having fun" at her 25th birthday party, as a source told People. Since then, along with Morrone, DiCaprio has dated Nina Agdal, again breaking up when the swimsuit model was 25. Though DiCaprio's last ex-girlfriend is the age of "Titanic," the actor appears never to have outgrown the age he was when he starred in it. ![]() I go so hard for her,” he told Apple Music. His commercial success is undeniable, but Glock has different goals in the rap game. He followed that up with 2020’s Son of a Gun, which prominently features a photo of him and his mother embracing on the cover. His 2019 release with Memphis star, Young Dolph, entitled Dum and Dummer, solidified the upstart as the next voice out of the city. The acapella and instrumental for Gang Shit No Lame Shit is in the key of F Major, has a tempo of 115 bpm, and is 2 minutes and 11 seconds long. Key Glock - Gang Shit No Lame Shit (Lyrics) Turn on notifications to stay updated with new uploadsSuggested. Because she spent most of his childhood years in prison, Glock now jumps at the chance to celebrate her at every opportunity. “I rapped to avoid the lifestyle I was living,” he explained to Apple Music. 2017’s Glock Season showcased a rapper beginning to understand the extent of their talent, and Glock’s desperation throughout the tape is palpable, the result of trying to escape the pitfalls so many in his community couldn’t circumvent. See more ideas about mood pics, funny profile pictures, funny profile. ![]() But he quickly morphed his style to match the bass-heavy, earthy feel of Memphis rap. Explore Bella Louu <3s board 'Gang shit no lame shit ', followed by 135 people on Pinterest. ![]() Glock, born Markeyvius Cathey in 1997, initially gravitated to popular rappers: His first song, “Actors”, uploaded to the web in 2016 to little fanfare, was a remix of Gucci Mane’s “Don’t Deserve It”. As a 16-year-old, the Memphis MC would freestyle over his favourite beats, mimicking the cadences and wordplay of his preferred stylists. ![]() Use readily available generic MIDI controllers, or the custom-designed X-keys control surface for faster and more tactile operation of Wirecast. Mix up to 8 independent audio tracks, and add FX and processing. Multichannel audio ingest, support for ASIO, WASAPI and CoreAudio compatible devices. Wirecast has built-in professional features that let your live viewers follow the action in the moment, analyze plays, and see updated scores. Built-In Replay, Scoreboards, Clocks, and Timers Up to seven guests can be featured simultaneously for panels and group discussions guests can be featured simultaneously. Renew yearly for 119, or upgrade to Wirecast Premium Access for 299/year. ![]() ![]() Send guests a link to join your live broadcast. 1st year Wirecast Insider Access is included in the purchase of Wirecast Studio and Wirecast Pro. Rendezvous peer-to-peer conferencing comes built-in to Wirecast. Make all your sources available for streaming Conferencing and Remote Production To get new features and optimal performance, be sure to keep your. Wirecast is compatible with input from cameras, microphones, webcams, capture cards, and more. Youtube Live, Twitter, and more, Recording, and Editing. Record MP4 or MOV files to any drive on your system. Wirecast PRO, turn your computer into a television studio with Telestreams Wirecast. Stream to more than one destination at a time to get your content out. YouTube works Test new features NFL Sunday Ticket Press Copyright With Live Producer, you have the option to go live using a camera and streaming software. Stream to Facebook Live, Twitter, YouTube, Vimeo Live, or any RTMP destination. These features include improved rendering and UI performance, a redesigned user interface with a new “dark” theme, a new way of managing your content sources, a faster more convenient way to stream to Facebook pages, and compatibility with a custom control surface from X-keys, available separately. En este vídeo te enseñaremos como grabar tu producción de vídeo, Usando Wirecast Pro de manera practica, COMPRA AQUÍ TU RADIO POR INTERNET. Youtube Video Thumbnail Downloader Video Thumbnail Preview /. This version of wirecast has a few updates with new features not found on the previous version. YouTube streaming activities because Wirecast integrates directly with YouTube. Whether you’re producing sports, educational, musical, or any other live content, Wirecast Pro has what you need for productions of any size. You can even stream to multiple destinations simultaneously while recording individual video feeds for postproduction editing. Take in an unlimited number of video sources, switch between them, and stream live to your favorite CDN, be it YouTube, Facebook, Twitter, or a dedicated streaming server. Wirecast, vMix or any other similar functioning software/. Telestream Wirecast Studio Pro software lets you tell your story live with your Windows computer. You can use Livepush to publish your livestream to multiple streaming sites like Facebook, YouTube. |
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